[Only sound: wind and low-end rumble.] [That rumble is a broken subwoofer recording of an actual Pandora dust storm—captured by the engineer sticking a contact mic into a sand dune during high winds.] [The rumble is pitched down an octave.]
[A single guitar enters.] [Tremolo-picked.] [Massive spring reverb (a real Fender Twin Reverb from 1965, tank rattling).] [One note at first (E, low).] [Then two notes (E and G).] [Then a slow melody—three notes down, three notes up, repeating but shifting slightly each time.]
[No drums.] [No bass. Just that guitar, growing louder over 90 seconds—not faster, just more.] [The reverb swells until it starts to self-oscillate.]
[The guitar reaches peak volume.] [The reverb is now a cloud of sound, the original melody almost unrecognizable.] [Then—sudden cut.] [Complete silence.]
[In the silence, buried deep, a whisper. You have to turn the volume up to hear it:]
"The tide is coming... from inside."