Still Outside (Instrumental)

[Intro – 8 bars | sparse pads, vinyl noise, distant siren texture | breathy female vocal texture, heavily filtered, no intelligible words]

[Beat tease – 4 bars | muted kick, off-grid percussion, low-pass filter opening slowly]

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[Section A – 16 bars | half-time drill rhythm, sub-heavy bass, minimal dark synth motif | low-register female vocal chops used as rhythmic texture]

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[Pre-Build – 8 bars | rising reese bass, filtered breakbeat layers | whispered-style vocal noise, chopped and gated, purely textural]

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[Drop 1 – 16 bars | full DnB energy, rolling bassline, punchy kick/snare | short percussive vocal stabs, heavily distorted and sidechained]

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[Post-Drop Groove – 8 bars | bass pulls back, drums remain driving | elongated vocal pads created from stretched samples]

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[Section B – 16 bars | stripped-back drums, darker bass variation, tension-focused | sparse vocal hits used for call-and-response with snare]

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[Build 2 – 8 bars | drum fills, risers, filter automation opening fully | layered breath textures, stereo movement, no pitch center]

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[Drop 2 – 32 bars | heavier bass design, more aggressive drum programming | rapid-fire vocal chops as rhythmic accents, pitched and formant-shifted]

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[Breakdown – 8 bars | pads only, sub muted, long reverb tails | clean, airy vocal ambience used as harmonic layer]

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[Final Drop – 16 bars | maximal energy, distorted bass, open hats | minimal vocal hits acting as percussive one-shots]

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[Outro – 8 bars | beat cuts, low pad drone, tape stop or vinyl slowdown | fading vocal texture dissolving into noise]

140 BPM drill → 174 BPM uk drum and bass