Next!

(Intro)
(Slow, menacing bass synth hums. A slow ticking sound like a clock starts. Synth chords are airy and dark.)
(Whispered voice): Move on. Better. 

(Verse 1)
(Minimalist beat: deep, slow kick drum, sharp snare)

If you're tired of your ex... (short pause)
Move onto someone better.
You got to let him go...
You can do so much better.
If you're tired of the games... (synths get darker/distorted)
Turn them all off.
If you think they were a mistake...
You are better off.

(Chorus)
(Heavy bass synth kicks in, driving beat)
Tired of the ex? (Yeah!)
Move on to better!
Stop looking back! (No!)
Only looking forward!(Hook)
Yeah, move on to someone better
Someone better, better, better
(Move on, move on, yeah)

(Verse 2)
(Beat continues, but more stripped back)

Looking at your phone... (why?)
Another late-night text... (stop.)
Thought it was love... (nah.)
It was just a mess.
(Vocals become heavily pitch-shifted)
No looking back... (No looking back)
No looking back... (No looking back)

(Chorus)
(Full power)
Tired of the ex? (Yeah!)
Move on to better!
Stop looking back! (No!)
Only looking forward!(Hook)
Yeah, move on to someone better
Someone better, better, better
(Move on, move on, yeah)
(Beat Drop)
(All vocals cut out. Heavy, distorted, grinding bassline with a rapid, metallic snare pattern. Sounds like industrial machinery and synth screams. High-energy.)

(Chorus)
(Full power)
Tired of the ex? (Yeah!)
Move on to better!

(Full power)
Tired of the ex? (Yeah!)
Move on to better!
Stop looking back! (No!)
Only looking forward!(Hook)
Yeah, move on to someone better
Someone better, better, better
(Move on, move on, yeah)

(Outro)
(Beat slows down, bass echoes)
Move on.
Better.
Stop looking back.
(Only the ticking clock sound remains, then fades to black)
(Whispered): Next.

Tempo: Faster
dance-pop, dark electropop, and contemporary R&B, female