Primo (upper player)
(bright, singing melody)
E–G–C | D–F–B | C–E–G G–A–G | F–E–D
E–G–C | D–F–B | C–G–E D–C ||
Secondo (lower player)
(steady Alberti bass style)
C–G–E–G | G–D–B–D | C–G–E–G | F–C–A–C
C–G–E–G | G–D–B–D | C––– ||
Development (playful dialogue)
Primo:
G–A–B–C | D–C–B–A | G–E–C–– | (trill) D–C
Secondo:
E–G–C–– | F–A–D–– | G–B–E–– | C–––
(they echo each other, trading phrases like a conversation)
⸻
Bridge (minor color, dramatic touch)
Both:
A minor passage
A–C–E | B–D–F | E–––
(build tension, crescendo)
⸻
Recapitulation (return to joy)
Primo:
C–E–G | G–A–G | F–E–D | C–––
Secondo:
C–G–E–G | F–C–A–C | G–D–B–D | C–––
⸻
Finale (playful flourish)
Both (together):
C–E–G–C (ascending)
G–E–C (staccato hits)
C––– (bold final chord)