BohemianLogic956
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Broken Receipts
rap, Dark rap-trap with techno pulse, rubbery 808s, clipped kick drums, icy synth stabs, and frantic four-on-the-floor hi-hats; tense, forward-driving energy that swells into a neon-lit, chantable hook, hip hop, techno
1 plays1 likes
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Fight So We Can Fuck It Right Again
rap, High-energy house-rap hybrid, 125 BPM. Bouncy four-on-the-floor kick, rubbery bass, crisp hats. Verses: tight male vocals, close-mic, playful and provocative. Chorus explodes with stacked gang shouts, pitch-shifted hook vocal, bright synth stabs, and riser sweeps. Short vocal chop breaks between sections keep tension high. Big, saturated master for club systems.
4 plays1 likes
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Fight So We Can Fuck It Right Again
rap, High-energy house-rap hybrid, 125 BPM. Bouncy four-on-the-floor kick, rubbery bass, crisp hats. Verses: tight male vocals, close-mic, playful and provocative. Chorus explodes with stacked gang shouts, pitch-shifted hook vocal, bright synth stabs, and riser sweeps. Short vocal chop breaks between sections keep tension high. Big, saturated master for club systems.
1 plays0 likes
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Soul Too High
rap, Dark trap-house fusion with deep house drums, heavy sub bass, and hazy synth pads. Male vocals half-rapped, half-melodic; hook drenched in reverb, verses tighter and drier. Beat starts sparse, then swells with sidechained chords and distant vocal chops in the chorus, ending on a filtered, floating outro., soul, deep house
5 plays1 likes
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Read Receipt
rap, Dark melodic trap beat, swung hi-hats, 808s that bloom and bend on the low end. Male vocals, half-sung hook with stacked harmonies; verses tighter and more percussive. Subtle auto-tune glide on the topline, ad-libs tucked wide in the stereo field. Hook lifts with extra pads and pitched vocal chops, then drops back to a sparse, tense pocket for the verse.
0 plays0 likes
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High Above the Ground
Psychedelic rock with lush guitars, mellow bass, and ethereal vocals, rap, trap, hip hop, techno, trance
0 plays0 likes
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Left On Read For Days
rock, Blues-rock fused with glitchy electro pulses; male vocals gritty and close in the verses, then widening with stacked harmonies in the chorus. Dirty slide guitar riffs over a stomping mid-tempo groove, synth arps flickering like anxious thoughts. Choruses hit hard with fuzz bass and big drums, bridge strips to vocal, tremolo guitar, and filtered pads before a final full-band surge., blues, electro
5 plays0 likes
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New Ride in Vegas
rap, High-energy future bass/trap-pop hybrid with male vocals, detuned saw chords and bright supersaws sidechained to a tight kick. Verses ride a minimalist, swaggering trap groove with sub-heavy bass and short vocal chops; choruses explode with wide pads, pitch-bent leads, and gang shouts on the hook. Housey build-ups with snare rolls and risers between sections, drops hit hard with chopped topline and formant-shifted ad-libs., pop
6 plays0 likes
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Can’t Wait Till Morning
rap, Hybrid pop-rap with crunchy pop-rock guitars over a bright, bouncy drum groove. Verses almost spoken with tight rhyme and attitude, hook explodes with big anthemic chords and stacked harmonies. Sub-bass moves underneath, light synth pads widen the chorus. Male vocals, playful but sincere, with one stripped-back bridge to let the vocal and guitar carry the emotion before the final chorus hits hard., pop, pop rock, soul
8 plays1 likes
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Fault Line Heart
rock, Crunchy alt-rock band energy with pop-slick hooks, mid-tempo drive. Palm-muted guitars in the verses under tight bass and punchy drums; choruses explode with wide distorted stacks and gang vocals on key phrases. Brief post-chorus riff hook and a melodic guitar break instead of a full solo. Male vocals with a slightly raspy edge, doubled on the hook., alternative rock, pop
0 plays0 likes
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Fault Line Heart
rock, Crunchy alt-rock band energy with pop-slick hooks, mid-tempo drive. Palm-muted guitars in the verses under tight bass and punchy drums; choruses explode with wide distorted stacks and gang vocals on key phrases. Brief post-chorus riff hook and a melodic guitar break instead of a full solo. Male vocals with a slightly raspy edge, doubled on the hook., alternative rock, pop
0 plays0 likes
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Sober Steel Reset
metal, Hybrid of gritty blues-rock and soaring symphonic power metal; male vocals. Opens with dirty slide guitar and roomy drums, then surges into double-kick gallop, choirs, and string stabs in the chorus. Verses stay mid-tempo and bluesy with bent notes and organ pads; chorus leaps into heroic tempo and key lift. Big gang shouts on key lines, guitar harmony lead in the bridge, then final chorus with stacked vocals and cymbal wash., power metal, blues
0 plays0 likes
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Hot When I’m Sober
rap, Hazy rap-pop over hypnotic ambient trance bed, male vocals. Dreamy pads and sidechained synths pulse under a tight, confessional rap in the verses. Big, chantable pop chorus with stacked harmonies and filtered vocal chops. Drops lean into reverb-drenched arps and subby bass swells, drums opening up in the hook then peeling back to a soft heartbeat kick in the bridge., pop, trance, ambient
4 plays0 likes
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High Stakes & Headlights
Explosive future bass banger with detuned supersaw stacks, sidechained pads, and a rubbery sub. Verses ride half-time trap drums and tight plucks; chorus slams with big vocal chops, pitch risers, and wide stereo leads. Male vocals, ad-libs tucked under the hook, with a euphoric post-chorus drop built for festival stages.
0 plays0 likes
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